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How To Draw In Naruto Style

Written By Monday, February 28, 2022 Add Comment Edit

Japanese manga creative person, primarily known for his work Naruto

Masashi Kishimoto
岸本 斉史
Born (1974-11-08) November eight, 1974 (age 47)

Nagi, Nippon
Occupation Manga artist
Years active 1997–present
Employer Shueisha

Notable work

 Naruto
Children 1
Relatives Seishi Kishimoto (twin brother)
Awards Quill Honor (2006)

Masashi Kishimoto ( 岸本 斉史 , Kishimoto Masashi , born Nov viii, 1974[1]) is a Japanese manga artist. His all-time known piece of work, Naruto, was in serialization from 1999 to 2022 and has sold over 250 one thousand thousand copies worldwide in 46 countries as of May 2022.[ii] [3] The serial has been adjusted into two anime and multiple films, video games, and related media. Besides the Naruto manga, Kishimoto likewise personally supervised the two canonical anime films, The Terminal: Naruto the Movie and Boruto: Naruto the Movie, and has written several one-shot stories. In 2022, Kishimoto wrote Samurai 8: The Tale of Hachimaru which concluded in March 2022. From May 2022 through October 2022 he supervised the Boruto: Naruto Next Generations manga written past Ukyō Kodachi and illustrated past Mikio Ikemoto. In Nov 2022 it was announced that he had taken over every bit author on the series, replacing Kodachi.[4]

A reader of manga from a young age, Kishimoto showed a desire to write his ain manga, citing authors Akira Toriyama and Katsuhiro Otomo equally his chief inspirations. As a issue, Kishimoto spent several years working to write his own shōnen manga for Weekly Shōnen Jump mag which he was a fan of.[five]

Early on life [edit]

Masashi Kishimoto was born in Okayama Prefecture, Japan on Nov 8, 1974, as the older identical twin of Seishi Kishimoto.[1] During his childhood, Kishimoto showed interest in drawing characters from the anime shows he watched, such as Dr. Slump 's Arale and Doraemon 's titular protagonist.[half dozen] [seven]

In elementary school, Kishimoto started watching the Kinnikuman and Dragon Brawl anime alongside his blood brother.[8] During the following years, Kishimoto started idolizing Dragon Brawl 's original creator Akira Toriyama, enjoying not only his series Dragon Brawl and Dr. Slump, but besides Dragon Quest, a series of role-playing video games for which Toriyama is the fine art designer. While he could not afford to buy Weekly Shōnen Jump where the Dragon Ball manga was published, he followed the series thanks to a friend from school who had subscribed to the magazine.[9] [10] By loftier school, Kishimoto started losing involvement in manga as he started playing baseball game and basketball, sports he skilful at his schoolhouse. All the same, upon seeing a poster for the animated moving-picture show Akira, Kishimoto became fascinated with the way the illustration was made and wished to imitate the serial' creator Katsuhiro Otomo'due south style.[xi] Other serial he enjoyed reading are Jin-Roh: The Wolf Brigade; Ninku; and Ghost in the Shell.[12]

During his last years at Kyushu Sangyo University, Kishimoto spent time drawing manga and went to an art college with the hopes of condign a manga artist.[13] Upon inbound college, Kishimoto decided he should try creating a Chanbara manga since Weekly Shōnen Jump had not published a title from that genre. However, during the same year, Kishimoto started reading Hiroaki Samura'southward Blade of the Immortal and Nobuhiro Watsuki'south Rurouni Kenshin (the latter of which was published in Weekly Shonen Spring), which used the said genre. Kishimoto recalls having never been surprised by manga ever since reading Akira and institute that he all the same was not able to compete confronting them.[14]

In his second year of higher, Kishimoto started drawing manga for mag contests. However, he noted that his works were similar to seinen manga, aimed towards an adult demographic, rather than the shōnen manga read past children and teenagers.[15] Wishing to write a manga for Shōnen Jump (which targets a young demographic), Kishimoto found his style unsuitable for the magazine.[sixteen] When watching the anime series Hashire Melos!, Kishimoto was surprised by the character designs employed past the animators and he started researching works from animators. He later met Tetsuya Nishio, designer from the anime adaptation of the manga Ninku, who he accounted a big influence.[17] At present emulating the way of cartoon from multiple character designers from anime series, Kishimoto noted that his style started resembling shōnen serial.[18]

Career [edit]

Early on works [edit]

Kishimoto's outset successful manga pilot was Karakuri ( カラクリ , lit. "Mechanism" ), which he submitted to Shueisha in 1995. This earned him an honorable mention in Shueisha's monthly "Hop Pace Accolade" in 1996, granted to promising rookie manga artists.[19] At this bespeak he was assigned an editor, Kosuke Yahagi, and worked on a number of rejected drafts including a slice-of-life manga, Michikusa ( 道くさ , lit. "Wandering Detour" ),[20] [21] and an activeness manga, Asian Punk ( アジアンパンク , Ajian Panku ).[22] In 1997, he wrote a one-shot version of Naruto ( NARUTO－ナルト－ ) which was published in Akamaru Spring Summer.[12] [21]

In December 1997, while redeveloping Karakuri for serialization, Kishimoto was offered a one-shot in Weekly Shōnen Jump. The new version of Karakuri debuted ii weeks later in Weekly Shōnen Jump 1998 No. 4-5, but was hampered by the sudden deadline and performed poorly in reader surveys, being canceled immediately.[21] [23]

Post-obit the failure of Karakuri, Kishimoto reduced his output and began moving in a seinen direction with drafts for a baseball game manga, Yakyūō ( 野球王 , lit. "Baseball King" ),[24] and a mafia manga, Mario ( マリオ ),[25] hoping to discover improve luck with a seinen mag.[21] Yahagi persuaded him to give the shōnen genre one last shot and Kishimoto began working on storyboards for a fantasy one-shot, Magic Mushroom ( マジックマッシュルーム , Majikku Masshurūmu ),[26] merely stopped when Yahagi called and asked him to instead develop storyboards for serialization.[21] The two decided to submit a version of Naruto with a reworked story and world and produced storyboards for the first 3 capacity, winning a spot in the magazine. With a six-month pb time, Kishimoto repeatedly revised and redrew the first several capacity of the serial.[21]

Naruto [edit]

In September 1999, the serialized version of Naruto premiered in Weekly Shōnen Jump 1999 No. 43 and quickly became a hit. Information technology ended on Nov 10, 2022, subsequently more than 15 years of serialization, with a total of 700 capacity collected in 72 volumes. Sales have exceeded 113 million copies in Japan and over 95 million copies in the U.s.,[27] followed by over 93 1000000 copies worldwide (outside Japan and U.s.a.) as of volume 36.[28] This makes full sales for the series approximately 301 million copies.

Kishimoto was also the winner of "Rookie of the Year" for the series in the Agency for Cultural Diplomacy.[29] It was adapted into two successful anime series, Naruto and Naruto Shippuden. Kishimoto requested that Tetsuya Nishio oversee the character designs of Naruto when the manga was adapted into an anime series.[30] The Naruto manga series became one of Viz Media's top properties,[31] accounting for nearly 10% of all manga sales in the US in 2006.[32] The 7th book of Viz's release became the first manga to always win a Quill Award when information technology claimed the honor for "Best Graphic Novel" in 2006.[32]

Responding to Naruto'southward success, Kishimoto said in Naruto Collector Winter 2007/2008 that he was "very glad that the American audition has accepted and understood ninja. It shows that the American audience has skilful taste... because it ways they can accept something previously unfamiliar to them."[33] While writing the manga, Kishimoto met Eiichiro Oda, author of One Piece who he considered his rival. When Naruto ended, Oda left a bulletin in the series' final volume acknowledging him as a rival. According to Kishimoto "That felt and so gratifying."[34]

Additionally, before the anime adaptation's premiere of My Hero Academia, he praised Kōhei Horikoshi's piece of work, believing it would exist a success overseas.[35] Additionally, Kishimoto referred to Yoshihiro Togashi as one of his favorite artists.[36]

For the video game Tekken half-dozen, Kishimoto redesigned its new character, Lars Alexandersson. CyberConnect2 CEO Hiroshi Matsuyama said he was attracted past this blueprint and thus asked the Tekken staff if he could include Lars in the video game Naruto Shippuden: Ultimate Ninja Storm ii.[37] For Naruto Shippuden: Ultimate Ninja Tempest Revolution, Kishimoto was responsible for Mecha Naruto upon being suggested by the staff to include a new grapheme. Kishimoto decided on adding a grapheme that would bring a big touch to worldwide level, which resulted in Mecha Naruto. CyberConnect2 CEO Hiroshi Matsuyama was surprised when seeing the new character.[38]

For the ninth Naruto film, Road to Ninja: Naruto the Pic, Kishimoto was responsible for both the story planning and the characters' designs.[39] To promote the motion-picture show, Kishimoto worked in Motion Comic Naruto, a DVD that showed scenes from the manga in 3D that was given to the first 1.5 million people who went to the cinema.[40] Regarding Naruto 's publication, Kishimoto told Tetsuya Nishio in July 2022 that the series would accept over a year and a half to end. Notwithstanding, Kishimoto admitted that it now appears that the manga will continue beyond that timeframe.[41]

Throughout 2022, Kishimoto supervised the pic The Last: Naruto the Motion-picture show, which would human activity as a bridge connecting the series' determination and epilogue, providing the story concept and character designs.[42] The Naruto series finally concluded on November x, 2022, with The Concluding: Naruto the Movie premiering a month later on Dec six, 2022.[43]

Kishimoto also worked on several other projects during Naruto's serialization. In 2022, Kishimoto produced a ane-shot baseball manga, Demote ( ベンチ , Benchi ), equally part of Jump'due south "Top of the Super Legend" projection, a series of six one-shot manga by famed Weekly Shōnen Jump artists. In April 2022, it was announced that Kishimoto would publish a ane-shot version of his long-postponed mafia manga, Mario, in Jump Foursquare,[44] based on the rough, 160-page manuscript he began working on before Naruto became serialized.[45] Throughout 2022, several of Kishimoto'southward one-shots saw their English-language debut in issues of the Weekly Shonen Spring digital magazine, including Mario, Bench, and the original Naruto airplane pilot. In 2022, Kishimoto also illustrated the cover of violinist Chisako Takashima'southward anthology Strings on Burn down.[46]

After Naruto [edit]

Post-obit Naruto's conclusion, Kishimoto became involved in the Starting time of a New Era Project commemorating both the manga's determination and 15th anniversary. On the last page of the final chapter, Weekly Shōnen Bound appear that a spin-off miniseries, too authored by Kishimoto, would be released in 2022. The miniseries, Naruto: The Seventh Hokage and the Scarlet Leap, ran from April to July 2022, leading up to the premiere of Boruto: Naruto the Movie on Baronial 7, 2022, which he supervised and co-wrote with Ukyō Kodachi. He as well illustrated several light novels set during the same time menstruation equally The Last. When asked past Boruto Uzumaki'due south vocalism actress Yūko Sanpei to keep making Naruto films, Kishimoto stated that he was taking a suspension and could not physically exercise and so.[47]

In August 2022, Kishimoto announced that he already has finalized what he wants to do for his next manga series. A sci-fi manga, the series volition feature a unique protagonist, with Kishimoto having already completed the character designs. He plans for the work to surpass Naruto in quality, and plans to release the series monthly via the digital magazine Shonen Jump Plus due to the taxing effort required for a weekly serial. Kishimoto had not yet finalized when he plans to officially denote the series, as he wants to spend time with his family.[48] [49]

On December 19, 2022, it was announced that Kishimoto would supervise the monthly Boruto: Naruto Side by side Generations ( BORUTO−ボルト− ) manga series start in Leap 2022. The new spinoff will be illustrated by Kishimoto's main assistant on Naruto, Mikio Ikemoto, and written by his writing partner for Boruto: Naruto the Motion picture, Ukyo Kodachi. It was preceded past a Naruto: The Path Lit by the Full Moon i-shot written and illustrated by Kishimoto.[50] In the June 10, 2022 issue of Weekly Shōnen Jump information technology was announced that Boruto: Naruto Adjacent Generations would transition to the magazine'due south sis publication, 5 Jump, get-go with its June 20, 2022 issue.[51]

In Dec 2022 at Jump Festa 2022 it was confirmed that Kishimoto was developing a new science fiction adventure series tentatively scheduled to debut in 2022.[52] A year subsequently at Jump Festa 2022 the series was formally announced every bit Samurai viii: The Tale of Hachimaru ( サムライ8 八丸伝 , Samurai Eito: Hachimaruden ).[53] Kishimoto will be handling the script and crude storyboards, while Akira Ōkubo, a former assistant on Naruto and blood brother of Atsushi Ōkubo, is responsible for illustrating the concluding manuscript.[54] The serial debuted in Weekly Shōnen Jump on May 13, 2022, as the magazine's first new series of Japan's Reiwa menstruum, following a 4-page preview chapter on Apr 27, 2022, marker the stop of the Heisei menstruum.[55] The series however failed to notice an audition and concluded a yr later in the 17th issue of Weekly Shōnen Spring on March 23, 2022.[56]

In November 2022 it was announced that after 51 chapters and 13 volumes Kodachi would footstep down as writer of the Boruto: Naruto Adjacent Generations manga, with Kishimoto bold full writing duties and Ikemoto continuing as illustrator beginning with affiliate 52 in the upcoming Dec issue of V Jump magazine, published on November 21, 2022.[four]

Works [edit]

Manga [edit]

  • Karakuri i-shot (1996; Hop Stride Award winner, published in Hop Step Award Choice eighteen ('95~'96) (1996), Akamaru Jump Winter (1997), and Naruto: The Official Premium Fanbook (2009))
  • Karakuri (December 21, 1997; debuted and canceled in Weekly Shōnen Leap 1998 No. 4-five, published in Zenkan: Naruto (2018))
  • Bench i-shot (October 11, 2022, published in Weekly Shōnen Jump 2022 No. 45)
  • Mario 1-shot (May 2, 2022, published in Bound Foursquare 2022 No. 6)
  • Boruto: Route to B one-shot (August 17, 2022, published in Weekly Shōnen Bound 2022 No. 36) It is a collaboration i-shot betwixt Kishimoto and Kenji Taira (writer of Stone Lee SD manga)
  • Samurai 8: The Tale of Hachimaru — creator, writer, storyboard creative person (May 13, 2022 – March 23, 2022; serialized in Weekly Shōnen Bound, debuted in Weekly Shōnen Jump 2022 No. 24)

Naruto [edit]

Manga [edit]

  • Naruto 1-shot (1997; published in Akamaru Jump Summer (1997)
  • Naruto: The Official Fanbook (2002))
  • Naruto (September 21, 1999 – November 10, 2022; serialized in Weekly Shōnen Jump, debuted in Weekly Shōnen Spring 1999 No. 43)
  • Naruto: The Seventh Hokage and the Scarlet Bound (April 27, 2022 – July 6, 2022; serialized in Weekly Shōnen Jump, debuted in Weekly Shōnen Jump 2022 No. 22-23)
  • Naruto: The Path Lit by the Full Moon (April 25, 2022, published in Weekly Shōnen Jump 2022 No. 21-22 and Boruto: Naruto Next Generations Volume one)
  • Boruto: Naruto Next Generations — editorial supervisor (Volumes 1-thirteen, May ix, 2022 – November 2022), writer (volume xiv - electric current, Dec 2022 – ongoing) - serialized in Weekly Shōnen Jump and V Jump, debuted in Weekly Shōnen Spring 2022 No. 23.

Motility Comic [edit]

  • Move Comic: Naruto — 2022, designer

Animated Films [edit]

  • Road to Ninja: Naruto the Motion-picture show — 2022, story planning and original grapheme designer
  • The Last: Naruto the Movie — 2022, original story, original character designer and chief story supervisor[42]
  • Boruto: Naruto the Pic — 2022, original story, screenwriter, original grapheme designer and primary product supervisor[57]

Video Game [edit]

  • Tekken vi — 2009, guest character designer
  • Naruto Shippuden: Ultimate Ninja Storm Revolution — 2022, character designer and editorial supervisor[38]

Artbooks [edit]

  • The Art of Naruto: Uzumaki ( 岸本斉史画集 UZUMAKI , Kishimoto Masashi Gashū: Uzumaki , lit. "Masashi Kishimoto Art Collection: Uzumaki") — 2004[58]
  • Pigment Jump: Art of Naruto ( PAINT Jump Art of NARUTO－ナルト－ ) — 2008[59]
  • Naruto Analogy Book ( NARUTO―ナルト―イラスト集 NARUTO , Naruto Irasuto-shū: Naruto , lit. "Naruto Illustration Collection: Naruto") — 2022[60]
  • Uzumaki Naruto: Illustrations ( NARUTO―ナルト―イラスト集 UZUMAKI NARUTO , Naruto Irasuto-shū: Uzumaki Naruto , lit. "Naruto Illustration Collection: Naruto Uzumaki") — 2022

Novels [edit]

  • Naruto: Tales of a Gutsy Ninja ( NARUTO―ナルト―　ド根性忍伝 , Naruto: Dokonjō Ninden ) — 2022, illustrator, co-author
  • Naruto Jinraiden: The Day the Wolf Howled ( NARUTO－ナルト－　迅雷伝　狼の哭く日 , Naruto Jinraiden: Ōkami no Naku How-do-you-do ) — 2022, illustrator
  • Naruto: Kakashi's Story ( NARUTO－ナルト－　カカシ秘伝 氷天の雷 , Naruto: Kakashi Hiden — Hyōten no Ikazuchi ) — 2022, illustrator
  • Naruto: Shikamaru'south Story ( NARUTO－ナルト－　シカマル秘伝 闇の黙に浮ぶ雲 , Naruto: Shikamaru Hiden — Yami no Shijima ni Ukabu Kumo ) — 2022, illustrator
  • Naruto: Sakura's Story ( NARUTO－ナルト－　サクラ秘伝 思恋、春風にのせて , Naruto: Sakura Hiden — Shiren, Harukaze ni Nosete ) — 2022, illustrator
  • Naruto: Konoha's Story ( NARUTO－ナルト－　木ノ葉秘伝 祝言日和 , Naruto: Konoha Hiden — Shūgenbiyori ) — 2022, illustrator
  • Naruto: Gaara'south Story ( NARUTO－ナルト－　我愛羅秘伝 砂塵幻想 , Naruto: Gaara Hiden — Sajingensō ) — 2022, illustrator
  • Naruto: The Akatsuki's Story ( 暁秘伝 咲き乱れる悪の華 , Naruto: Akatsuki Hiden — Sakimidareru Aku no Hana ) — 2022, illustrator
  • Naruto: Tales of a Celibate Ninja ( NARUTO―ナルト―ド純情忍伝 , Naruto: Dojunjō Ninden ) — 2022, illustrator
  • Naruto: Itachi's True Story ( NARUTO－ナルト－ イタチ真伝 , Naruto: Itachi Shinden ) — 2022, illustrator
  • Naruto: Sasuke'south Truthful Story ( NARUTO－ナルト－　サスケ真伝 , Naruto: Sasuke Shinden ) — 2022, illustrator
  • Naruto: Konoha's New Story ( NARUTO－ナルト－　木ノ葉新伝 , Naruto: Konoha Shinden ) — 2022, illustrator
  • Naruto: Naruto's New Story ( NARUTO－ナルト－　ナルト新伝 , Naruto: Naruto Shinden ) — 2022, illustrator
  • Naruto: Sasuke'south New Story ( NARUTO－ナルト－　サスケ新伝 , Naruto: Sasuke Shinden ) — 2022, illustrator
  • Naruto: Shikamaru's New Story ( NARUTO－ナルト－　シカマル新伝 , Naruto: Shikamaru Shinden ) — 2022, illustrator

Other [edit]

  • Strings on Fire past Chisako Takashima — 2022, special album cover artist
  • Learning Japanese History Through Manga, Volume one — 2022, comprehend artist[61]
  • Learning Japanese History Through Manga, Volume five — 2022, cover creative person[61]

Personal life [edit]

Kishimoto is the twin brother of Seishi Kishimoto, the writer of 666 Satan and Blazer Drive.[5] In 2003, Kishimoto married, but did not have a honeymoon with his wife until 2022 due to being busy with Naruto. In the making of The Last: Naruto the Movie, Kishimoto based the idea of Hinata Hyuga wanting to make a scarf for Naruto Uzumaki on how his married woman had one time washed the same for him, which brought laughs to the staff while developing the flick.[62] [63] The couple has one son.[48]

Two of his former assistants, Osamu Kajisa (Tattoo Hearts) and Yuuichi Itakura (Hand'southward), take gone on to moderate success post-obit their work on Naruto.[64] [65] [66]

Influences and manner [edit]

The first fourth dimension Kishimoto used the double activity technique in a fight between Naruto and Haku.

While as a kid Kishimoto enjoyed reading manga, he was inspired to write ane later on seeing a promotional prototype for the film Akira. This made him clarify the artwork of Akira 's original author, Katsuhiro Otomo, every bit well as Akira Toriyama, another creative person he admired. Realizing both had their own style regarding the designs, Kishimoto decided to draw manga while crafting his own images.[11] While attending art school, Kishimoto was likewise an avid reader of Hiroaki Samura's Blade of the Immortal, and extensively studied Samura'south folio layouts, action sequences, and anatomical techniques.[67]

When Kishimoto was originally creating the Naruto series, he looked to other shōnen manga for influences while attempting to make his characters as unique equally possible.[68] Kishimoto cites Akira Toriyama's Dragon Ball series as 1 of his influences, noting that Goku, the protagonist, was a key factor when creating Naruto Uzumaki due to his energetic and mischievous personality.[69] When redesigning 3 characters for the series, Kishimoto cites The Matrix(one of his favorite movies) as an inspiration for their outfits.[70] He has also cited Yoshihiro Togashi every bit i of his favorite manga authors,[36] while the manga Sasuke by Sanpei Shirato inspired Kishimoto in the developing Sasuke Uchiha.[71]

Kishimoto has also cited other influences such every bit Takeshi Kitano and Quentin Tarantino. He also mentioned Michael Bay's technique "of shooting a scene against the background light" but found information technology hard to make.[12] Another technique inspired by Jackie Chan's films he used in the Naruto manga is the "double-action"; in this activeness, a punch is shown in three different angles in order to give a big impact on the punch'southward forcefulness. This was kickoff shown in Naruto Uzumaki'due south battle against Haku. Kishimoto sometimes draws panels as intentionally confusing during fight scenes to add together a sense of speed. On the other hand, Kishimoto commented that for the fights between Naruto and Sasuke, he added action from the top of the page to the bottom in order for them to be easier to follow.[72]

During the serial' publication, Kishimoto got married and had children. The changes to his personal life affected the story as he made Naruto Uzumaki meet his parents, something the author wanted the character to feel based on his ain experiences as a father.[5]

When drawing the characters, Kishimoto consistently follows a 5-step process: concept and crude sketch; drafting; inking; shading; and coloring. These steps are followed when he is drawing the manga and making the colour illustrations that normally adorn the cover of tankōbon; the embrace of Weekly Shōnen Leap; or other media. The toolkit he uses occasionally changes.[73] For example, he used an airbrush for 1 illustration for a Weekly Shōnen Jump cover but decided not to use it for future drawings largely due to the cleanup required.[74]

Masashi and his twin brother Seishi have been cartoon manga together since early childhood; thus their styles are similar.[75] As a result, each has been oft accused of copying the other- not simply artwork, but story elements as well. Seishi notes that the similarities are not intentional but are likely considering they were influenced past many of the same things.[76] [77]

Kishimoto has admitted he made no plans in regards to the development of Naruto 's story developments. For example, when introducing Sasuke, the character says he wants to impale a person named "Itachi" who he had to redesign a number of times. By this fourth dimension, Kishimoto but idea that Sasuke's brother, Itachi, had done a incorrect human activity in the past only was non certain of what was exactly. By volume 16 of the series which featured Itachi'southward actual introduction, Kishimoto decided Itachi was an agent working for Konohagakure to kill all members from the Uchiha clan except Sasuke. This is later revealed in volume 43 of the manga.[72] Some other one was the revelation that the late Minato Namikaze would be Naruto'south begetter. When Kishimoto had the idea that Minato would be Naruto's begetter, he started adding hints of that to the reader such as giving the Hokage mountain from Konohagakure spiky hair similar to Naruto's.[78]

In the making of the picture show Boruto: Naruto the Movie Kishimoto paid tribute to several movies, the most notable existence the 1996 flick The Stone and the 2002 film Spider-Man. The tribute to The Rock was mostly done by using Kishōtenketsu, which is a common mode of structuring stories in Japan.[79] He too claimed he was a fan of Avi Arad, most notably his films based on the Spider-Man comic book graphic symbol.[eighty]

References [edit]

  1. ^ a b Kishimoto, Masashi (October 4, 2002). NARUTO―ナルト―[秘伝·兵の書]オフォシャルファンBOOK (in Japanese). Nippon: Shueisha. p. 205. ISBNiv-08-873321-5.
  2. ^ 「ＮＡＲＵＴＯ―ナルト―」作者・岸本斉史さん 新連載『サムライ８（エイト）八丸伝（ハチマルデン）』スタート 君も完璧じゃなくていい (in Japanese). Yomiuri Online. May iii, 2022. Archived from the original on May 4, 2022. Retrieved May three, 2022.
  3. ^ "MANGA Plus: Interviewing editors". MANGA Plus. Shueisha. Archived from the original on February 12, 2022. Retrieved September six, 2022.
  4. ^ a b "Masashi Kishimoto Takes Over as Writer for Boruto Manga". Anime News Network . Retrieved November sixteen, 2022.
  5. ^ a b c Kido, Misaki C. (January 2022). "Interview with Masashi Kishimoto (Creator of Naruto)". Weekly Shonen Jump Alpha. Viz Media (one–30–12): 118–121.
  6. ^ Kishimoto, Masashi (2005). Naruto, Volume 7. Viz Media. p. 66. ISBN978-one-59116-875-1.
  7. ^ Kishimoto, Masashi (2005). Naruto, Book 7. Viz Media. p. 104. ISBN978-1-59116-875-1.
  8. ^ Kishimoto, Masashi (2005). Naruto, Book 8. Viz Media. p. 27. ISBN978-1-4215-0124-6.
  9. ^ Kishimoto, Masashi (2005). Naruto, Book viii. Viz Media. p. 66. ISBN978-1-4215-0124-6.
  10. ^ Kishimoto, Masashi (2005). Naruto, Volume 8. Viz Media. p. 86. ISBN978-i-4215-0124-6.
  11. ^ a b Kishimoto, Masashi (2006). Naruto, Volume 10. Viz Media. p. 157. ISBN978-1-4215-0240-3.
  12. ^ a b c Solomon, Charles (December 17, 2008). "Interview: The man behind 'Naruto'". Los Angeles Times . Retrieved April 5, 2022.
  13. ^ Kishimoto, Masashi (2007). Naruto, Volume 13. Viz Media. p. 26. ISBN978-1-4215-1087-three.
  14. ^ Kishimoto, Masashi (2007). Naruto, Volume 13. Viz Media. p. 66. ISBN978-ane-4215-1087-three.
  15. ^ Kishimoto, Masashi (2007). Naruto, Volume 15. Viz Media. p. 66. ISBN978-i-4215-1089-7.
  16. ^ Kishimoto, Masashi (2007). Naruto, Book 15. Viz Media. p. 86. ISBN978-1-4215-1089-seven.
  17. ^ Kishimoto, Masashi (2007). Naruto, Volume fifteen. Viz Media. p. 106. ISBN978-i-4215-1089-vii.
  18. ^ Kishimoto, Masashi (2007). Naruto, Volume fifteen. Viz Media. p. 126. ISBN978-1-4215-1089-7.
  19. ^ Kishimoto, Masashi (2007). Naruto, Volume 16. Viz Media. p. 150. ISBN978-1-4215-1090-3.
  20. ^ Naruto Vol. 4, p. 26
  21. ^ a b c d eastward f Weekly Shonen Jump 2022 No. 51, "Naruto Interview: The Beginning"
  22. ^ Naruto Vol. 4, p. 46
  23. ^ Weekly Shonen Jump 2022 No. 45, p. 178
  24. ^ Naruto Vol. four, p. 102
  25. ^ Naruto Vol. eleven, p. 126
  26. ^ Naruto Vol. 11, p. 46
  27. ^ "The Origin of Naruto - Naruto Shippuden - Official U.S Site" (Press release). Vizmedia/Shueisha. Baronial eleven, 2009. Archived from the original on Feb 8, 2022.
  28. ^ "Archived copy". Archived from the original on November 10, 2022. Retrieved April 12, 2022. {{cite web}}: CS1 maint: archived copy as title (link)
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External links [edit]

  • Masashi Kishimoto at Anime News Network'due south encyclopedia
  • Masashi Goodreads
  • Masashi Kishimoto at IMDb

Source: https://en.wikipedia.org/wiki/Masashi_Kishimoto

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